Nightwork

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Beyond everything else, I loved the plot so much. I'm a BIG fan of heist movies, and I never expected anything like this book from Nora Roberts. The plot was so entertaining from beginning to end. We grow up with Booth and watch his talents as a thief evolve until he actually gets a rep (a good one) amongst the underground and attracts the attention of a man, LaPorte, who begins to think of Booth as much of a possession as the art and baubles he hires Booth to steal. But Booth has no plans to be anyone's possession. Will Damron was just about perfect in his storytelling and characterizations. I particularly liked how his female voices sounded normal, not affected like some male narrators tend to go. It’s a long story and his voice tone made the time fly by. He’s got serious skills. In the meantime Booth meets Miranda and they begin a relationship that comes in LaPorte's cross hairs. Eventually Booth decides he must take care of the LaPorte problem for good.

Roberts develops her characters beautifully and the story really is in the intricate details. While it seems to start slowly, the build-up and the ending make it worth the wait! Awesome twist. NIGHTWORK by Nora Roberts is a unique romantic suspense with a young hero who grows up to becomes a gentleman thief with his own set of rules and moral code. This is a standalone that that is mainly told from the viewpoint of the hero. Harry Booth started stealing at nine to keep a roof over his ailing mother’s head, slipping into luxurious, empty homes at night to find items he could trade for precious cash. When his mother finally succumbed to cancer, he left Chicago—but kept up his nightwork. I also loved the Red Goddess of the story. Megs, Dauphine, Sebastian... I loved the theatre kids both in college and at the high school. Thanks to his love of acting and theatre, Booth is by now expert at switching identities, and escapes the country to avoid LaPorte’s further demands: he will not be owned. But he doubts this man will ever tire of his pursuit, and begins to long for a more settled existence: a job as an English/drama teacher in a mid-size town would fit the bill. And does, until someone who knows him arrives…

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Now, my problem with too expansive stories - a huge range of time, too many events, too many places, too many people but not enough character building. Or at least not enough of it words, which is what counts here. I could guess a lot of this guy's character building was there - under the surface - because he had to repress all his feelings to get his 'nightwork' done in tne beginning, and this repression ended up being a survival technique. But having to guess something like this feels like being shortchanged. LaPorte was easy to hate, but in later portions of the book, he was less dimensional as a character, as where his henchmen. Like I said, I liked Booth. I loved going along with him on his adventures. And I felt some anxiety that he would be discovered. NR made him nicely clever and resourceful. href: https://api.overdrive.com/v1/collections/L1BLQAAAA2a/products/55c01898-08ca-406d-97ca-976e1c054a7a/metadata

sortTitle Nightwork A Novel crossRefId 6492972 subtitle A Novel id 55C01898-08CA-406D-97CA-976E1C054A7A starRating 4 OverDrive MetaData isPublicDomain False formats An unsettling example of writer, prophet and protagonist collapsing into one character. Isao is a young nationalist militant. Obsessed with the historical account of a group of samurai who performed seppuku in the aftermath of a failed coup, Isao organises his own plot to assassinate a group of prominent capitalists. Arrested and imprisoned, Isao experiences a number of dream-visions in which he foresees his own death. In one he is killed by a venomous snake and at the same time has a realisation: “I was not meant to die like this. I was meant to die by cutting open my stomach.” At the novel’s conclusion, Isao assassinates the capitalist Kurahara and then performs seppuku. A year after the publication of Runaway Horses Mishima himself staged an ill-fated coup and followed suit. This was incredibly slow paced, I just couldn’t get into it. I didn't feel connected or invested in Booth so his experiences and travels were boring to me. I love morally grey characters but I’d simply describe Booth as a nice guy and a good person. href: https://img1.od-cdn.com/ImageType-150/2390-1/{55C01898-08CA-406D-97CA-976E1C054A7A}IMG150.JPG This story starts out with an unusual main character for a Roberts story. A guy. A kid really and we are with him as he tells his story and grows. He educates himself in ways we cannot believe. He loves hard and works hard. He protects what and who he loves always. He continues to learn and grow.This book is told from the POV of Harry Booth. A young man who becomes a thief through necessity and talent. The only part in this book that I genuinely loved was the one which had Harry's mother. That's really the only point where I empathized with Harry, which is also why I felt entirely too much and cried like a baby. I want to start by saying that I tried to keep my walls up about our main character. He has so many names, but Booth is the most important. I tried so hard not to love him and failed completely. He was just a kid when he stole to keep his mother's bills paid while she fought the demon that is cancer. He was barely out of high school when he lost her. He traveled and changed who he was and existed in a world that never gave him a chance. Harry is also just kind of blah. I also wasn't in the mood to root for a thief. I feel like a little bit this was a little of her trying to do another "Roarke" type character for her readers. We all know that Roarke started off stealing as a kid and of course got involved with criminal gangs in Ireland and then New York. Most of the dialogue and circumstances about him I think were supposed to read as thief with heart of gold, but I just kept rolling my eyes. Also Harry does have "relations" with other women in this book so when you get to the whole "heroine" in this one you wonder why it even matters. I will add that I think that most of the books where Nora just follows a "hero" it does not work as well for me, see my review of "Shelter in Place."

We follow the life of Harry Booth, whose mother was diagnosed with cancer and became a thief to help make ends meet. After she passed away Booth continued his nightwork and never stayed in one location for too long, fearing that his enemy will catch up to him. A book begging to be read on the beach, with the sun warming the sand and salt in the air: pure escapism. At the 57% mark it got slightly better because we stayed in one location for a longer period of time, but by that time I just wanted to finish this. However, the plot took an unexpected turn, it was something I’d expect in a rom com.Harry Booth started stealing at nine to keep a roof over his ailing mother's head, slipping into luxurious, empty homes at night to find items he could trade for precious cash. When his mother finally succumbed to cancer, he left Chicago—but kept up his nightwork, developing into a master thief with a code of honor and an expertise in not attracting attention—or getting attached. A lifelong thief needs to pull off one last job—while getting revenge and keeping the woman he loves safe.

The bad guy LaPorte was an absolute idiot. NR can and has built extremely twisted villains, but sometimes, like The Witness with Russian mafia, these villains seem straight out of PatheticVille. If I have to hear about how scary and mean and cold a person is, I need to see my main character overcome problems and challenges on the way to best the bad guy. But there is absolutely none of that, which is ridiculous. As much as I love Nora and will continue to read her books, they’re rapidly becoming repetitive if you’ve read most of them. However, this is a good book for a newbie, or even if you’re an old-timer who wants a satisfying read. My book, The End of Nightwork, is about that most pointless and painful of things: the passage of time. In the book, the protagonist – Pol – is haunted by the influence of a 17th-century millenarian, called Bartholomew Playfere. Like all prophets, Playfere refuses to be part of his own time. Instead he becomes part of a future, a future that Pol coincidentally participates in. I think it's time for Roberts to just write a straight up mystery and forget about the romance side of things. You can feel her itching to do it. This is supposedly romantic suspense, but it's so light on that it feels like a misnomer to categorize it as such. It doesn't help that we follow a character (Harry Booth) that is so morally grey you have to wonder why Roberts has him as our "hero."

bioText: NORA ROBERTS is the #1 New York Times bestselling author of more than 230 novels, including Legacy, The Awakening, Hideaway, Under Currents, The Chronicles of The One trilogy, and many more. She is also the author of the bestselling In Death series written under the pen name J.D. Robb. There are more than 500 million copies of her books in print. He fell in love with the ocean, the hills, New Orleans, North Carolina, and a beautiful girl named Miranda. He read, and educated himself and did everything he could to follow the rules he set when he was only 12 and doing the only thing he knew could work. When that all caught up to him, and he had to leave it all behind, he didn't think he'd fall in love with anything again. But isn't that just human nature? So he fell in love with a house. With his students. And with the same girl. And he would not be ran off from it again. I wasn’t expecting to like this book as much as I did — NR’s last few have been a disappointment for me, and the last stand-alone book of hers I truly enjoyed and have reread numerous times was 2012’s ‘The Witness.’